Coeur Vie Bra-Alizee Quitman-APOC STORE Coeur Vie Bra-Alizee Quitman-APOC STORE Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
  • Coeur Vie Bra-Alizee Quitman-APOC STORE
alizee quitman

£945.00

£945.00

coeur vie bra

coeur vie bra

£945.00

£945.00

Made to order

This item is made to order

This metal bra is composed of exaggerated heart-shaped forms, interlocked like scales across the body. Each element interlocks the next, creating a protective surface that feels both intimate and powerful. Swinging chains drape and move with the body, adding a sense of fluidity and tension. They soften the rigidity of the metal, catching the light with every movement.

The repetition of hearts transforms a symbol of softness into something almost armored—an ‘armor for love’ that shields as much as it reveals. Sensual yet defensive, it reimagines vulnerability as strength.

Recycled tin from ancient cutlery and upcycled chains (stainless steel and silver coated brass)

Sizing

Size s/m

The bra is adjustable on each suspender and the back chain. If you want to fit it to your exact measurements, please send the measurements you need (chest size), all of the chains that link the bra to the back are adjustable with extra chains (20cm)

Shipping

This item is produced on a made to order basis and will be shipped within 1 week from France.

EU: £15
UK: £20
Global: £20

Orders & Returns

All our products are shipped directly from our independent designers and artists who use their own packaging and shipping provider.

See the 'Shipping' tab on each product page for shipping country, costs, production times (for made-to-order items), and dispatch details.

For more information, please visit our Shipping & Returns page.

About Alizée Quitman

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Alizée Quitman works with metal to explore the body as something fluid, political, and resistant to fixed roles. Using techniques like hammering and upcycling, she transforms industrial materials into wearable sculptures that act as armor, talismans, and second skins.

Her pieces challenge traditional ideas of beauty and power, turning vulnerability into strength. Drawing on Caribbean concepts like the potomitan and Afrofuturist myths such as Drexciya, her work imagines survival and transformation in a collapsing world—where waste becomes memory and adornment becomes an act of identity and resistance.
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