Alizée Quitman works with metal to explore the body as something fluid, political, and resistant to fixed roles. Using techniques like hammering and upcycling, she transforms industrial materials into wearable sculptures that act as armor, talismans, and second skins.

Her pieces challenge traditional ideas of beauty and power, turning vulnerability into strength. Drawing on Caribbean concepts like the potomitan and Afrofuturist myths such as Drexciya, her work imagines survival and transformation in a collapsing world—where waste becomes memory and adornment becomes an act of identity and resistance.