Nicholas Gardner and Saša Štucin of Soft Baroque work simultaneously in object design and art. Their practice focuses on creating work with conflicting functions and imagery, without abandoning beauty or consumer logic. They are keen to blur the boundaries between acceptable furniture typologies and conceptual representative objects.
Recent exhibitions include: ‘Clear cut, cave in’, Room 6x8, Beijing, 2022; 59th Venice Biennal - Danish Pavilion, Venice, 2022; ‘Sun City’, Milan, 2021; ‘Total Space’, Museum für Gestaltung, Zürich, 2020; ’Split Personality’, Friedman Benda, New York, 2020; ‘World of Ulteriors’, Etage Projects, Copenhagen, 2019.
