This ceramic vase is deformed on a body vibration plate right after being taken out of their mould. The plate has its origins in the fitness industry and is a hijacked tool to explore new ideas and processes. My work seeks to explore and interfere with traditional mechanisms of creation by salvaging materials and processes and clashing them with snippets from different realms. A voyage into the unknown and the inbetween, where singular ideas and binary thinking are questioned through wonder and curiosity.

Materials: Earthenware, Underglaze, Glaze.

These works are only partially glazed and were low fired to achieve their colours and gradients. This means that water held in them might slowly absorb into the material and could create damp patches on surfaces.